Commercycle Tokyo

The bike has permeated the city. No longer just a simple transportation device, the bike has encroached upon and infiltrated many aspects of city life. We view the bike through a whole new lens: fashionable object, accessory, lifestyle tool. How can we engage this new bilking conception in a meaningful way? Commercycle Tokyo attempts to fuse once disparate fields: cycling should merge with a more rounded lifestyle approach, to form a new architecture for bicycle. Bikes should no longer be relegated to lanes and roads. Bikes architecture will engage the bicycle with the city.

Swallow House

The “Umbrella House” for Swallow is an elegant structure with white floating roof standing on the green park, just beside the thick gray concrete wall of Bldg. 6, which form an unexpected harmony. The idea is introduced from the ecology of swallow and the character of its habitat. Though, instead of a thick wall on which we could provide the swallow their nest, we chose the very delicate material of umbrella. It’s not only about the idea of recycling but from the studying its skeleton and organization we could get much information and relationship with this material and our target. We tried to combine them in a way that they could form a perfect geometry to hold each other as well as to create enough space and shade for swallows to build their nest.

BILLBORD AGORA

RESERCH IN IKEBUKURO

I researched the Prohibition billboard and Behavior around Marui The prohibitions on activities in the park have been increasing every year, and more and more things cannot be done. There are patrols, with red sticks, restricting entry and fencing off the area. However, people find a comfortable place to sit and talk outside the fence or the boundary between the park and the street, and they do so only on the street without in the park. However, there is no exchange of opinions between local governments involving the patrol and the citizens. Thire is no exchange of opinions between
they look in different direction facing to without accepting them, and various activities have the billboard. Citizens have obeyed the government’s regulations without accepting them,and various activities have been restricted in the park. I think this is the lack of dialogue between the government and citizens. In order people to behave freely in the been restricted in the park.I think this is the lack of dialogue between the government and citizens.

PSHYCO DRAMA THERAPY

In order for people to behave freely in the park and street. We need to talk about the restrictions on activ- ities that are restricted in the park and on the street. On the meeting Citizens who have been restricted may agree with this, while those who feel it is annoying may oppose it. Then, the citizens and the government will realize that they have not been talking to each other.

I would like to create a space where behavior and ac- tion, and action and dialogue, can come closer together.

DEMOCRATIZING THE BILLBOARD MAKING PROCESSE

1st In order to know each other’s situations well, they can have psychodrama therapy. At the drama they change their own positions. Someone acts as a char- acter who opposes free activities and the other agrees with it. Acting out the opposite person’s position may give you a chance to think about their thought.

2nd they discuss the new rules making. They talk about how they can spend time comfortably.

3rd actually they try to make billboards with talking and talking. This is also the first step to get involved in pol- itics. Talking about the problem with them, they can think of their city.

So we arranged each place in a flow that circled the plan until we created the rules and put them together on a billboard. Here is the first point of contact for people who have something to complain about or an opinion to express, and here is the project base area that serves as a base from which both sides would gather. Next to it is a psychodrama theater on a lower level, where we can deepen the discussion and find a way out. This theater is also expected to be used specifically for discussion, like a courtroom.

And here is a place to design billboards, where design- ers join in to explore ways to spread rules that are not limited to signs. This is where the billboards are actual- ly produced, and this project includes not only making billboards but their actual installation. The space in the middle is a gallery for past billboard achievements and reviews of ongoing projects.

The aim of this project is to maximize a healthy social life for all people by involving the person concerned, from making the rules to publicizing the project.
This is Billboard Agora.

ETHNIC FOOD KITHEN

PROLOGUE

In Ikebukuro, a city with many foreign workers, there are many ethnic restaurants. In ethnic restaurants, peo- ple recall a certain “place” through food. It can be said that ethnic cuisine has an aspect of transmitting “place” that goes beyond food. Therefore, I propose an ethnic kitchen to explore food as a commons.

DECONSTRUCTION AND RECONSTRUCTION OF ETHNIC CUISINE

There are various types of ethnic cuisines. In recent years, with the development of social networking sites, “authenticity” is becoming more and more important in ethnic cuisine. However, the actual cuisine is defined by the ingredients and the cooking method, and there is a limit to the cooking method. Therefore, when we deconstructed the cooking process, we found that the heating process is the most important one. Therefore,

We decided to classify the world’s cuisines not by coun- try or region, but by heating method. Just as fire has created gatherings of people since ancient times, we hope that fire will create new communities of people in this project. In addition, we believe that the food pre- pared there will eventually be influenced by the cuisines of other countries and become international cuisine. Regarding the recent boom in international cuisine, ac- cording to (1), it can be said that it is a trend of ideo- logical support to break away from the illusory recogni- tion of nationalities. However, statelessness, which can be reached only at the end of the transmission of the identity of all people as an ethnic group, is very differ- ent from a society in which the identity of nationality is suppressed, even if it is the same in the sense that it is not bound to a single nationality, and it would be an attractive society.

CONSTRUCTING THE KITCHEN AS A SINGLE WORLD

Reconstructing the world’s cuisine in terms of process- es rather than actual geographical criteria is equivalent to creating a semantic world or city. In this project, the only thing that was decided was that one unit would be created for each heating place, but I could not find any basis for the decision beyond that. Therefore, the archi- pelago model was used in this project as the basis for the architectural decision, because the existing pillar grid was a factor, precisely because it was a renovation of a department store, and the places where people stay avoided the area around the pillars, and the space sur- rounded by pillars became one unit. However, more than such a rationale, the image of the world map held by ethnic cuisine led to the model of Archipelago.

Arata Isozaki is one of the architects who confronted the problem of the absence of a determinant basis for design. He began using the term “tentative form” after a conversation with Ignazi Sola-Morales in 1990, hav- ing developed it from his methodological theory in the 1970s. It is very interesting to note that he also used the

archipelago model in his Tentative Form, in which a one-time form was chosen depending on the situation at hand. In this project, the archipelagoes are connected by an infrastructure of water and fire (smoke), so it can be said that the method of generation is just like the city itself. Not only in this project, but also in architectur- al design, the criterion of judgment is always tentative, and therefore, the citation of the city as a tentative im- age in architectural design has been done since modern times. Therefore, the citation of the city as a tense im- age in architectural design has been done since modern times. As a sign of this, we can see many urban theories by architects as concept making.

ETHNIC FOOD KITCHEN

Returning to the description of the project, the place created by the counter and ducts is repeated, changing its form for each type of heating. At this point, there is a danger of uniformity in design and experience. In such a situation, Aureli describes the concept of enclave, re- ferring to the non-stop city. enclave is a means to break away from the uniformity of the space, and it also shares the same concept of landmarking. In this proj- ect, the decision was made to place the fire place on the periphery, with the exhaust ducts outside, and the more public units in the center. Here, by arranging the kitch- en as an enclave in addition to the tables, redundancy is ensured even within the grid arrangement. Through ethnic cuisine, the exploration of the rationale for de- sign in architecture is considered to be the outcome of this project.

DESIGN PURPOSE

Ethnic cuisines from around the world were catego- rized by heating method, and each cooking area was ar- ranged and designed. In addition, since the energy used for heating determines whether or not it can be reused, the color of the piping was changed for each type of en- ergy to create a space where the variations of the world’s cuisine can be visually recognized.